Concrete TV Stand by David Bard
Photographer
David Bard
Concrete TV Stand is a minimalist piece designed by Swiss architect David Bard of BARD YERSIN architectes. At first glance, a sleek television appears to float above what resembles a fragment of extraterrestrial terrain—a sculpted mass of concrete that anchors digital presence to something ancient and elemental. This unlikely pairing compels a double take, inviting reflection on the evolving identity of the furniture that frames our screens.
Upon closer examination, the concrete base reveals itself as the outcome of a meticulous material study. Subtle wood grain patterns embedded in the surface hint at a process of casting through negative impression—organic texture captured in a rigid, industrial substance. Polished expanded clay spheres dot the surface like petrified bubbles, forming a tactile landscape that feels at once foreign and strangely familiar.
But this object goes beyond simple utility. Rather than merely supporting a television, it redefines it as a component of a sculptural whole. The composition’s deliberate asymmetry breaks from the symmetry traditionally favored in media furniture—an echo of mid-century radio consoles—offering a fresh reinterpretation that favors visual tension over balance.
Linking the concrete form to the hovering screen, a slender metal frame serves both a structural and aesthetic purpose. Its light profile introduces a subtle pause between the contrasting materials, allowing each to assert its presence while remaining part of a unified narrative.
In many ways, this design captures the essence of our time—a period marked by the merging of technology and natural context. As our digital devices become increasingly dematerialized, there is a growing desire for grounding elements—objects that carry weight, texture, and permanence. Concrete TV Stand is a response to that longing, a statement piece that reconnects us with the physical world.
